01 - VAN SHE - KELLY (BREAKBOT REMIX)
02 - DATABASE - PARTY PEOPLE
03 - LE KNIGHT CLUB - MIRAGE
04 - SUPERFUNK - COME BACK (SUPERFUNK REMIX)
05 - DJ FALCON - HONEYMOON
06 - CLUBGANGER - ARMED TOOL 5
07 - MOULINEX - BREAKCHOPS (GRUM REMIX)
08 - DYNAMIC ROCKERS - WITH MUSIC
09 - TEPR - MINUIT JAKUZZI (DATA REMIX)
10 - SPACE COWBOY - I WOULD DIE FOR YOU
11 - SHADOW DANCER - END HIT
12 - MR. OIZO FEAT. CARMEN CASTRO - IT TAKES TWO
13 - CALVIN HARRIS - ACCEPTABLE IN THE 80S
14 - CHAZ JANKEL - WITHOUT YOU
15 - CHROMEO - TENDERONI
16 - MEDIZIN NACH NOTEN - FREEDOM OF MUNICH
17 - SUPERSIZE - ALL NITE (CLUBGANGER'S HUGE FRENCH ANTHEM)
18 - BAG RAIDERS - TURBO LOVE
19 - TRONIC INC. - NIGHTLIGHTS (JUPITER ACE VIGOROUS RUB)
20 - MIKE 303 - YOUR FRIEND
21 - WE IN MUSIC - NOW THAT LOVE HAS GONE (CRYIN' IN THE DARK MIX)
22 - RED HOT DUTCH - YOU'RE ONE OF US (EDDIE THONEICK REMIX)
23 - THE ENERGIES - BORN AGAIN RUNNER (FRED FALKE REMIX)
24 - UNKNOWN - ALL I NEED IS YOU (LIFELIKE REMIX)
25 - VOODOO LOVE - GET ON DOWN
Destination French House Part IV
Two more Armed Tools
Posted in Armed Tools
Out Now and exclusivly free:
Armed Tool #2 *pink*
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Armed Tool #3 *red*
Enjoy!
Armed Tool #2 *pink*
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Armed Tool #3 *red*
Enjoy!
Cry Over - Thin Glass (Why did I kiss you)
New Project on Supersize Music. This one is more for the fans of melancholic and Sad music in the vein of The Killers or Depeche Mode. Have a listen to their first single:
Cry Over - Thin Glass (Why did I kiss you)
Cry Over - Thin Glass (Why did I kiss you)
Supersize - Sunshine & Barbecue (Extended Version)
We made it! Here is Sunshine & Barbecue! Get it for a very short time legally and free! It features the incredible Cindy on Vocals and a soulful and funky Sax Solo by Sven L. on top!
Free MP3: Supersize - Sunshine & Barbecue (Extended Version)
Clubganger now on more stores
get it @ itunes --> Just type "clubganger" in the search space
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get it @ djtunes.com
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get it @ Amazon.com
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get it @ rhapsody
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get it @ Global Groove Digital
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For all the Ringtone Freaks! Get you Clubganger Ringtone!
get it @ Jamba
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New store in our list: DJ Download.com
get it @ djdownload.com
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Damn! We're on Musicload/T-Online!
get it @ musicload
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Armed Tool # 6 arrived juno.co.uk!!!
What a honor!
get it @ juno.co.uk
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get it @ mp3.de
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get it @ trackitdown.net
"Clubganger's Drupp 3" - New Rave in the Mix
Posted in Clubganger, Drupp, New Rave
Free Mixtape: Clubganger's Drupp 3
TRACKLIST:
01 - JUSTICE - DVNO
02 - MONOSURROUND - COCKED LOCKED (SUMMERRIZED CLUB)
03 - AUTODISCO - MOST KEYS ARE AUTOREPEAT (SH VERSION)
04 - BRABE - HOLD YOU HERE
05 - MSTRKRFT - VUVUVU
06 - TEEANGE BAD GIRL - COCOTTE (HYSTEREO REBRAND)
07 - SCISSOR SISTERS - I DON'T FEEL LIKE DANCING (T. B. G. REMIX)
08 - REVOLTE - BLACKOUT
09 - ZZZ VS. SURKIN - GHETTO EXPLOSION
10 - TOTO - I'LL SUPPLY THE LOVE
11 - DOES IT OFFEND YOU, YEAH - WE ARE ROCKSTARS
12 - GRUM - GO BACK!
13 - THE BLOODY BEETROOTS - BLUTO FUCKS POPEYE
14 - DEPECHE MODE - NEVER LET ME DOWN (DIGITALISM REMIX)
15 - THE WHO - BABA O' RILEY (RAC EDIT)
16 - SEBASTIAN - HAL
17 - JOJO - LEAVE (GET OUT)
18 - DAFT PUNK - ROBOT ROCK
19 - CURSES - THIS IS THE WAY (DROP THE LINE REMIX)
20 - TEENAGE BAD GIRL - TALES FROM THE PIG
21 - COMPUTER CLUB - LOAD ROCKET
22 - CUT COPY - LIGHTS & MUSIC (BOYS NOIZE REMIX)
23 - TOGETHER - SO MUCH LOVE TO GIVE
TRACKLIST:
01 - JUSTICE - DVNO
02 - MONOSURROUND - COCKED LOCKED (SUMMERRIZED CLUB)
03 - AUTODISCO - MOST KEYS ARE AUTOREPEAT (SH VERSION)
04 - BRABE - HOLD YOU HERE
05 - MSTRKRFT - VUVUVU
06 - TEEANGE BAD GIRL - COCOTTE (HYSTEREO REBRAND)
07 - SCISSOR SISTERS - I DON'T FEEL LIKE DANCING (T. B. G. REMIX)
08 - REVOLTE - BLACKOUT
09 - ZZZ VS. SURKIN - GHETTO EXPLOSION
10 - TOTO - I'LL SUPPLY THE LOVE
11 - DOES IT OFFEND YOU, YEAH - WE ARE ROCKSTARS
12 - GRUM - GO BACK!
13 - THE BLOODY BEETROOTS - BLUTO FUCKS POPEYE
14 - DEPECHE MODE - NEVER LET ME DOWN (DIGITALISM REMIX)
15 - THE WHO - BABA O' RILEY (RAC EDIT)
16 - SEBASTIAN - HAL
17 - JOJO - LEAVE (GET OUT)
18 - DAFT PUNK - ROBOT ROCK
19 - CURSES - THIS IS THE WAY (DROP THE LINE REMIX)
20 - TEENAGE BAD GIRL - TALES FROM THE PIG
21 - COMPUTER CLUB - LOAD ROCKET
22 - CUT COPY - LIGHTS & MUSIC (BOYS NOIZE REMIX)
23 - TOGETHER - SO MUCH LOVE TO GIVE
Armed Tools now on several Online Stores
We need your support. Click on the damn Link below and buy the track a few times. It cost only 99 Cents so it won't hurt! Thanks :-*
Clubganger - Armed Tool #6
download it at www.djshop.de
Clubganger - Armed Tool #6
download it at www.djshop.de
Nile Rodgers talking about Sampling
The one and only Nile Rodgers (Chic, Sister Sledge, Early Madonna and David Bowie Producer) was talking about groovy Samples and Coverversions and in an interview he gave on 28th of July 2008. I would really like to know what he would think about Coffee or more :-D
Enjoy...
[...]
What do you make of the kind of contemporary artists who don’t leave the computer to make music? Those people who have never picked up a traditional instrument? And those that sample? "I love where we are now. We’re in the era of what I’d describe as audio collage. When my music was first sampled for Rappers Delight, I must admit it felt really strange. It must be like tasting some strange food for the first time. Like, an acquired taste. So I’d have been like “woooah, what the f*ck is that?!” I recoiled. But I also couldn’t figure out how someone had done that. Never mind how they had taken my record, made it their own and had an even bigger hit with it. The breakthrough for me was realising that the people behind these records were artists. As soon as I got that perspective, I developed a real appreciation for those artists that worked in this way."
Is there not a part of you that believes that it’s unoriginal? "You’ve got to realise that those people are doing what they can with what’s available to them. Now I grew up in a different era when everyone was taught music at school. It was up to the individual if they wanted to take that further but everyone got that introduction and were able to begin with the basics. Now I speak to people like Wu-Tang’s The RZA and Public Enemy’s Chuck D – those guys that I’ve come to consider my friends – and they helped me understand that this other generation of people, who are artists at heart, haven’t had that same chance to discover music in a more classically-trained environment. So the government didn’t provide and so this new way of making music came along. Hip hop was born out of necessity."
Did you learn anything from the way that early hip producers would isolate a couple of bars of your music and subvert it for their own needs? "While I don’t chop-up music in the same way, it taught me how I had also always been about the groove. I can play the same guitar line over and over again for hours and really get into that groove. That’s really what Chic did anyway. We were all about the repetition."
While popular hits, your tracks weren’t ever conventional pop singles, were they? "No. But we could have kept playing and playing those grooves but we were limited by the fact that there was only so much music you could get on the vinyl. Live, we would stretch out a track for ten minutes and comfortably know that we could still do a further twenty if we wanted too. We would be groovin’ and groovin’. That wasn’t new, you understand. I’d already seen James Brown do that. And it would make you head straight for the dancefloor. I remember the first time I heard Hendrix and he was groovin’ and killin’ it too. It was primal. And at the heart of it was that all important rhythm."
[...]
taken from Southport Reporter Magazine
Enjoy...
[...]
What do you make of the kind of contemporary artists who don’t leave the computer to make music? Those people who have never picked up a traditional instrument? And those that sample? "I love where we are now. We’re in the era of what I’d describe as audio collage. When my music was first sampled for Rappers Delight, I must admit it felt really strange. It must be like tasting some strange food for the first time. Like, an acquired taste. So I’d have been like “woooah, what the f*ck is that?!” I recoiled. But I also couldn’t figure out how someone had done that. Never mind how they had taken my record, made it their own and had an even bigger hit with it. The breakthrough for me was realising that the people behind these records were artists. As soon as I got that perspective, I developed a real appreciation for those artists that worked in this way."
Is there not a part of you that believes that it’s unoriginal? "You’ve got to realise that those people are doing what they can with what’s available to them. Now I grew up in a different era when everyone was taught music at school. It was up to the individual if they wanted to take that further but everyone got that introduction and were able to begin with the basics. Now I speak to people like Wu-Tang’s The RZA and Public Enemy’s Chuck D – those guys that I’ve come to consider my friends – and they helped me understand that this other generation of people, who are artists at heart, haven’t had that same chance to discover music in a more classically-trained environment. So the government didn’t provide and so this new way of making music came along. Hip hop was born out of necessity."
Did you learn anything from the way that early hip producers would isolate a couple of bars of your music and subvert it for their own needs? "While I don’t chop-up music in the same way, it taught me how I had also always been about the groove. I can play the same guitar line over and over again for hours and really get into that groove. That’s really what Chic did anyway. We were all about the repetition."
While popular hits, your tracks weren’t ever conventional pop singles, were they? "No. But we could have kept playing and playing those grooves but we were limited by the fact that there was only so much music you could get on the vinyl. Live, we would stretch out a track for ten minutes and comfortably know that we could still do a further twenty if we wanted too. We would be groovin’ and groovin’. That wasn’t new, you understand. I’d already seen James Brown do that. And it would make you head straight for the dancefloor. I remember the first time I heard Hendrix and he was groovin’ and killin’ it too. It was primal. And at the heart of it was that all important rhythm."
[...]
taken from Southport Reporter Magazine
Illo vs. Clubganger @ S-Clubbing, Lippstadt
On Saturday, 9th of August Illo & Clubganger are turning the decks at Cosacks Brennerei Lippstadt. It's S-Clubbing Time again!
Visit them from 0:00-02:00 in the funky Floor and enjoy a funky Filter House Set
See you on Sat!
