TRACK 01 "First Time in Love (Prologue)" TRACK 02 "First Time in Love (feat. Alex)" TRACK 03 "Armed Tool #5" TRACK 04 "All Nite (Clubganger's Huge French Anthem)" TRACK 05 "How much that means to me" TRACK 06 "Why did I kiss you? (feat. Spirit)" TRACK 07 "Symphonica" TRACK 08 "Armed Tool #6" TRACK 09 "Armed Tool #1" TRACK 10 "Just so..." TRACK 11 "How about love (feat. Cindy & Alex)" TRACK 12 "Shake it!" TRACK 13 "Sunshine & Barbecue (feat. Cindy & Funky Sven on Sax)" TRACK 14 "Reflect" TRACK 15 "Promise you the stars" TRACK 16 "Down on me" TRACK 17 "Armed Tool #3" TRACK 18 "Street Race" TRACK 19 "When you dance with me (Dean Y. Remix)" TRACK 20 "Contract/Release" TRACK 21 "The Sequence" TRACK 22 "First Time in Love (Reprise)"
01 - VAN SHE - KELLY (BREAKBOT REMIX) 02 - DATABASE - PARTY PEOPLE 03 - LE KNIGHT CLUB - MIRAGE 04 - SUPERFUNK - COME BACK (SUPERFUNK REMIX) 05 - DJ FALCON - HONEYMOON 06 - CLUBGANGER - ARMED TOOL 5 07 - MOULINEX - BREAKCHOPS (GRUM REMIX) 08 - DYNAMIC ROCKERS - WITH MUSIC 09 - TEPR - MINUIT JAKUZZI (DATA REMIX) 10 - SPACE COWBOY - I WOULD DIE FOR YOU 11 - SHADOW DANCER - END HIT 12 - MR. OIZO FEAT. CARMEN CASTRO - IT TAKES TWO 13 - CALVIN HARRIS - ACCEPTABLE IN THE 80S 14 - CHAZ JANKEL - WITHOUT YOU 15 - CHROMEO - TENDERONI 16 - MEDIZIN NACH NOTEN - FREEDOM OF MUNICH 17 - SUPERSIZE - ALL NITE (CLUBGANGER'S HUGE FRENCH ANTHEM) 18 - BAG RAIDERS - TURBO LOVE 19 - TRONIC INC. - NIGHTLIGHTS (JUPITER ACE VIGOROUS RUB) 20 - MIKE 303 - YOUR FRIEND 21 - WE IN MUSIC - NOW THAT LOVE HAS GONE (CRYIN' IN THE DARK MIX) 22 - RED HOT DUTCH - YOU'RE ONE OF US (EDDIE THONEICK REMIX) 23 - THE ENERGIES - BORN AGAIN RUNNER (FRED FALKE REMIX) 24 - UNKNOWN - ALL I NEED IS YOU (LIFELIKE REMIX) 25 - VOODOO LOVE - GET ON DOWN
New Project on Supersize Music. This one is more for the fans of melancholic and Sad music in the vein of The Killers or Depeche Mode. Have a listen to their first single:
We made it! Here is Sunshine & Barbecue! Get it for a very short time legally and free! It features the incredible Cindy on Vocals and a soulful and funky Sax Solo by Sven L. on top!
TRACKLIST: 01 - JUSTICE - DVNO 02 - MONOSURROUND - COCKED LOCKED (SUMMERRIZED CLUB) 03 - AUTODISCO - MOST KEYS ARE AUTOREPEAT (SH VERSION) 04 - BRABE - HOLD YOU HERE 05 - MSTRKRFT - VUVUVU 06 - TEEANGE BAD GIRL - COCOTTE (HYSTEREO REBRAND) 07 - SCISSOR SISTERS - I DON'T FEEL LIKE DANCING (T. B. G. REMIX) 08 - REVOLTE - BLACKOUT 09 - ZZZ VS. SURKIN - GHETTO EXPLOSION 10 - TOTO - I'LL SUPPLY THE LOVE 11 - DOES IT OFFEND YOU, YEAH - WE ARE ROCKSTARS 12 - GRUM - GO BACK! 13 - THE BLOODY BEETROOTS - BLUTO FUCKS POPEYE 14 - DEPECHE MODE - NEVER LET ME DOWN (DIGITALISM REMIX) 15 - THE WHO - BABA O' RILEY (RAC EDIT) 16 - SEBASTIAN - HAL 17 - JOJO - LEAVE (GET OUT) 18 - DAFT PUNK - ROBOT ROCK 19 - CURSES - THIS IS THE WAY (DROP THE LINE REMIX) 20 - TEENAGE BAD GIRL - TALES FROM THE PIG 21 - COMPUTER CLUB - LOAD ROCKET 22 - CUT COPY - LIGHTS & MUSIC (BOYS NOIZE REMIX) 23 - TOGETHER - SO MUCH LOVE TO GIVE
The one and only Nile Rodgers (Chic, Sister Sledge, Early Madonna and David Bowie Producer) was talking about groovy Samples and Coverversions and in an interview he gave on 28th of July 2008. I would really like to know what he would think about Coffee or more :-D
Enjoy...
[...]
What do you make of the kind of contemporary artists who don’t leave the computer to make music? Those people who have never picked up a traditional instrument? And those that sample? "I love where we are now. We’re in the era of what I’d describe as audio collage. When my music was first sampled for Rappers Delight, I must admit it felt really strange. It must be like tasting some strange food for the first time. Like, an acquired taste. So I’d have been like “woooah, what the f*ck is that?!” I recoiled. But I also couldn’t figure out how someone had done that. Never mind how they had taken my record, made it their own and had an even bigger hit with it. The breakthrough for me was realising that the people behind these records were artists. As soon as I got that perspective, I developed a real appreciation for those artists that worked in this way."
Is there not a part of you that believes that it’s unoriginal? "You’ve got to realise that those people are doing what they can with what’s available to them. Now I grew up in a different era when everyone was taught music at school. It was up to the individual if they wanted to take that further but everyone got that introduction and were able to begin with the basics. Now I speak to people like Wu-Tang’s The RZA and Public Enemy’s Chuck D – those guys that I’ve come to consider my friends – and they helped me understand that this other generation of people, who are artists at heart, haven’t had that same chance to discover music in a more classically-trained environment. So the government didn’t provide and so this new way of making music came along. Hip hop was born out of necessity."
Did you learn anything from the way that early hip producers would isolate a couple of bars of your music and subvert it for their own needs? "While I don’t chop-up music in the same way, it taught me how I had also always been about the groove. I can play the same guitar line over and over again for hours and really get into that groove. That’s really what Chic did anyway. We were all about the repetition."
While popular hits, your tracks weren’t ever conventional pop singles, were they? "No. But we could have kept playing and playing those grooves but we were limited by the fact that there was only so much music you could get on the vinyl. Live, we would stretch out a track for ten minutes and comfortably know that we could still do a further twenty if we wanted too. We would be groovin’ and groovin’. That wasn’t new, you understand. I’d already seen James Brown do that. And it would make you head straight for the dancefloor. I remember the first time I heard Hendrix and he was groovin’ and killin’ it too. It was primal. And at the heart of it was that all important rhythm."
For one last time we upped the Album of the Plastic Gorillaz. They compiled it in the style of a Mix-CD. Now for a very last time you have the chance to get it legally and free!
It contains the Hits "Coffee or more" and "White Dove"
This Month we bring you exclusively two hard requested and quite rare Bootleg Tools. The first one is a track which Clubganger often played in his DJ Sets. Many People looked for the track, but no one could find it. We talk about a "Falscher Fünfziger" Booty called "Wundervoll!" It contains a Vocal Sample from the German singer Peter Heppner.
Right about now we can bring you the Full Extended Version of this Bootleg. It's for Promotional Use only!
For the "summer-like" Temperatures we are proud to present you another Full Extended Version of an older Track. It's "White Dove" from Clubgangers second Album "One Night in Miami". It's a frenchy Vocal Tune with a groovy Disco Sample and a deep and powerful Bassline.
The first Song by Nemesis just arrived Supersize! We are very proud to present you for the first time a complete different Style of music than Supersize used to release. Some kind of ambient/chilled out music dominated with a Bag Pipe.
"Nemesis"
"Sehnsucht" is a very sad and hopeless sounding track. The Bag Pipe you can hear in this song is a "Hümmelchen"-Pipe constructed by a german Pipe-Engineer.
Plastic Gorillaz bring us a new promotion Track! It will be on their new Album witch will be released in June '08. That fat track is using elements from the 70s Disco Tune "Your personal touch" by Evelyne 'Champagne' King. Funky Slap Bass and horny Vocals supported by a stunning House Bassline and funky Grooves. Check it out for free. On rare 12" for a very short time.
French Style. Filtered and Groovin' Beats. A funky Hook and energizing Bassline on top. Vocals by themselves and what kind of Vocals! Let's bring the funk back in the streets. Support this new great project "Supersize" and play the shit wherever you can. Good Mood Summer Tune! Put it on high rotation. Watch out for the official mp3 release.